we are in a realm of eternal bliss! we are in a realm of eternal bliss!
we are in a realm of eternal bliss! we are in a realm of eternal bliss!
we are in a realm of eternal bliss! we are in a realm of eternal bliss!
we are in a realm of eternal bliss! we are in a realm of eternal bliss!
we are in a realm of eternal bliss! we are in a realm of eternal bliss!
we are in a realm of eternal bliss! we are in a realm of eternal bliss!
catch me!
we are in a realm of eternal bliss! we are in a realm of eternal bliss!
we are in a realm of eternal bliss! we are in a realm of eternal bliss!
we are in a realm of eternal bliss! we are in a realm of eternal bliss!
we are in a realm of eternal bliss! we are in a realm of eternal bliss!
we are in a realm of eternal bliss! we are in a realm of eternal bliss!
4
4. (What is Dada?, Dada is eternal bliss!) Dada originally a trauma response after World War I, Black Dada appropriates central tenets of Dada conceptual absurdism and abstraction in response to another (interrelated, yet specifically Black, often times African American) circumstance
But actually Black Dada is way to talk about the future while considering the past. It is a strategy that that “disrupts easy logic and established history” (according to Adam Pendletona)
But actually it may be an entirely futile endeavor to try and distill what Black Dada is through prescriptions. Indeed the installation was never meant to be about finality or staticized conclusions but rather about contradictions.
a. Adam Pendleton (b.1984) is a contemporary artist, Conceptualist, Abstract painter, Minimalist, Black Dada pioneer, videographer, cyborg, installation artist, text artist, writer, historian, curator, bookmaker, sound engineer, visual/cultural critique, and surely a lot more. Who is Queen? is the first work I have seen by Pendleton. He can be seen in conversation with David Adjaye (b.1966) here.
But actually Black Dada is way to talk about the future while considering the past. It is a strategy that that “disrupts easy logic and established history” (according to Adam Pendletona)
But actually it may be an entirely futile endeavor to try and distill what Black Dada is through prescriptions. Indeed the installation was never meant to be about finality or staticized conclusions but rather about contradictions.
a. Adam Pendleton (b.1984) is a contemporary artist, Conceptualist, Abstract painter, Minimalist, Black Dada pioneer, videographer, cyborg, installation artist, text artist, writer, historian, curator, bookmaker, sound engineer, visual/cultural critique, and surely a lot more. Who is Queen? is the first work I have seen by Pendleton. He can be seen in conversation with David Adjaye (b.1966) here.